12 Jun 2026

The adventure returns!

Greetings:

Years ago, I used this space to send occasional dispatches from the world of Blackjack—updates, adventures, news, and observations from a series that has been a part of my life for a very long time.

Now the mission resumes.

For those of you who are new to the world of Blackjack, allow me to introduce you to Aaron Day, better known as Blackjack.

Set against the backdrop of the turbulent 1930s, Blackjack is a soldier of fortune, an adventurer, an investigator, and a reluctant hero. His travels take him across continents and into the shadows of history, where spies, warlords, revolutionaries, criminals, explorers, and ordinary people all have a role to play.

But Blackjack was created for more than adventure alone.

Part of my goal in creating the series was to shine a light on the people, places, and stories that history often overlooks. I wanted to explore the real events, cultures, and individuals that helped shape the world while delivering the kind of high-adventure storytelling I grew up loving in films, radio dramas, comic books, and serials.

Here in the Blackjack Intelligence Files, you’ll find:

To Accept The Mission newsletters
Behind-the-scenes notes on the creation of the series
Historical inspirations and research
Character dossiers
Maps, documents, and bonus materials
News and updates on current Blackjack projects

Whether you’re a longtime reader or discovering Blackjack for the first time, I’m glad you’re here.

The files are open.

The mission is active.

And the adventure continues.

— Alex Simmons
Creator of Blackjack




BLACKJACK: TO ACCEPT THE MISSION


There are so many things that can go wrong when you go on a mission alone.

I did 30 years ago, in 1996, and despite the things that went right, there were so many things that did go wrong.

1996 was the year I began writing and publishing my Blackjack series.

Creating it started years earlier; about 10 years, but it took me all that time to begin to commence to start to get around to figuring out what it was going to be about.

At the height of the media’s fascination with psycho-serial killers, anti-heroes, and fantastic creatures, I chose to do a series about a black soldier of fortune in the 1930s.

No superpowers, no special scientific gadgets. No aliens. No secret base. Just a highly skilled specialist who fights other people’s battles, while the biggest battle of them all was his own.  Where did Arron “Blackjack” Day fit in as a black person in American society, let alone the world?

I call it a mission, not just as a nod to the whole high-adventure, soldiers-and-battle motif, but because the reason I set out to do it was personal. It was personal for the kid in me—the black kid who grew up wanting to see himself as a hero.

The justice-seeking cowboy, the crime-solving detective, and the globetrotting world-saving counter spy.  I watched them all, and for 13 years, 99% of those heroes were white men. While for the most part, people who look like me were servants or sidekicks.

So it was about creating images of black men and people of color, as well as of cultures and countries that could do those things. It was about acknowledging that, historically, we had done many of those things, either individually or as part of a team or group. 

Whatever we accomplished with Blackjack is to be celebrated. While the things we’ve continued to try have been challenged, even with interest from people in England, Holland, and America.

With help, many things have been accomplished.  But working solo I’ve dropped the ball a few times and paid the price for it.  And I expect there will be more to pay before the year is out.

But over the next 90 days, you’re going to have a chance to read about where I’ve succeeded and failed, and what I’m struggling with now. It won’t always be polished prose.

I’ll be as transparent as I possibly can be.

First on the agenda is to complete a six-part miniseries I left unfinished several months ago. Think I can get it right this time?

Maybe you’ll chime in with some offer of guidance.

Time will tell.

If you want to follow along on this adventure, I’ll provide a link shortly.

Until then.

Over and out.

Alex

PS.  It appears that a link to my email management service has been broken.  I have no access at this time.  I’ll let you know when it has been fixed. 

Meanwhile, in keeping with the spirit of the moment … the first pitfall has been sprung.  It’s going to be an interesting 90 days.

11 Jun 2026

The adventure returns!

Greetings:

Years ago, I used this space to send occasional dispatches from the world of Blackjack—updates, adventures, news, and observations from a series that has been a part of my life for a very long time.

Now the mission resumes.

For those of you who are new to the world of Blackjack, allow me to introduce you to Aaron Day, better known as Blackjack.

Set against the backdrop of the turbulent 1930s, Blackjack is a soldier of fortune, adventurer, investigator, and reluctant hero. His travels take him across continents and into the shadows of history, where spies, warlords, revolutionaries, criminals, explorers, and ordinary people all have a role to play.

But Blackjack was created for more than adventure alone.

Part of my goal in creating the series was to shine a light on the people, places, and stories that history often overlooks. I wanted to explore the real events, cultures, and individuals that helped shape the world while delivering the kind of high-adventure storytelling I grew up loving in films, radio dramas, comic books, and serials.

Here in the Blackjack Intelligence Files you’ll find:

To Accept The Mission newsletters
Behind-the-scenes notes on the creation of the series
Historical inspirations and research
Character dossiers
Maps, documents, and bonus materials
News and updates on current Blackjack projects

Whether you’re a longtime reader or discovering Blackjack for the first time, I’m glad you’re here.

The files are open.

The mission is active.

And the adventure continues.

— Alex Simmons
Creator of Blackjack

10 Oct 2018

As you can see the BLACKJACK ADVENTURES web site has a new look. But the retro pulp action adventures of Arron Day, aka Blackjack hasn’t loss any of it punch.

Check it out. www.BlackjackAdventures.com

And it’s just in time for the release of the newest book in the series,

BLACKJACK: TRIAL BY FIRE AND ICE.
written by Alex Simmons & Christopher Ryan
Available October 24th on Amazon.com

While waiting for the release you can pick up copies of all the other titles in the,
Blackjack Rapid Read series:

REVOLT OF THE RED STAR
RANSOM FOR A DEAD KING
DRIVEN
DARK END OF THE RAINBOW

And a coming soon, a series of interviews with Blackjack artists, writers and fans.

10 Oct 2018

Blackjack writer/creator captured and made to talk…and talk… and talk! Naturally.

Topic this time, “WHY BLACKJACK?”   Alex asks, what has been the appeal of his retro black soldier of fortune?  And in these most divisive times, does it still have a place?  Listen in as he interviews one of the early Blackjack artists, ERIC BATTLE.

Click here to hear Part One.

 

 

 

10 Oct 2018

Blackjack: Night of Fear

It’s that time of year when many think even more about things that go bump in the night.  Even soldier of fortune, Arron Day aka BLACKJACK, is not immune to thoughts of what may stalk the night.

And when he’s brought to Scotland to protect a laird, and what’s left of his family, from werewolves Arron is forced to make some hard decisions about the supernatural.

Because what he truly believes may be his only weapon agains a terror that slaughters it’s victim with tooth and claw.

Sample a portion of the tale.  Click here to hear a reading by Alex Simmons

Writer: Alex Simmons & William McCay.
Interior artist: Shawn Atkinson

 

 

10 Oct 2018

As promised, John Jennings is on the road and sending reports from the field. Here’s his first dispatch. Read and enjoy.

JJ @ Virginia State University:

Here’s a look at How the Creative Process works. I did it Monday, in Prof. Meena Khalili’s illustration class at Virginia State University!

did a short introductory lecture about my work and about Alex Simmons’ work and his character BLACKJACK. In fact I created an image of the character as part of my lecture. (See screen captures.)

I then answered questions regarding my process, how I thought about making art/stories, and my inspirations around building characters that resonate with audiences.

I also looked at the student work and gave some feedback. Prof. Khalili is doing a great job. The students are really focused and have wonderful concepts.

It was an honor be in the studio with them sharing information and energy.

I then visited the Advertising Art class co-taught my hostess Prof. Ann Ford and Prof. Andrew Feldstein. It is an amazing collaboration between the art department and the marketing department. Students were asked to analyze Super Bowl commercials regarding their effectiveness.

Last, but not least, I gave a public lecture at 4:30pm and ended around 5:45pm. I had a great time!

The exhibition, BLACK KIRBY: IN SEARCH OF THE MOTHERBOXX CONNECTION opens today (Tuesday) at 530 pm!! It’ll be up for the month of February.

And during the day, I will be in Prof. Ford’s Type 2 class. After that, it’s home and back in the studio making another Blackjack image!!

Till then…

JJ

10 Oct 2018

So, despite snow, and snow, mo’ snow, I spoke at the Baobab Center in Rochester Friday night (2/8/13).

This was after viewing a screening of John Gayle’s documentary film, “White Scripts & Black Superheroes.”

The film offers audiences an analytical look at black images in the comic books (characters & creators) over the past 70 years.

My lecture explored the social culture surrounding those comics and how that impacted then and now. Audience participation generated some dynamic questions and dialogs.

Next stop … Jamaica!

10 Oct 2018

Arrived on the campus of University of Technology Friday (after doing an early morning TV show) around 1 PM. Had lunch then spent 2 hours leading a room full of children through my Art of Making Comics workshop. I talked about my work from childhood to Blackjack, to Scooby Doo, to Archie Comics.

Their enthusiasm ranged from, ” Yes, I draw…” to “…I already make my own comics!” The latter child proudly displaying his hand made comic strip booklet (properly stapled together). He was maybe eight. Maybe!

Like I’ve always said, show them how to do something creative with their imagination, then get out of their way. Hope to display their work on the KCC web site within a week.